The concert had started with Bartok’s very complex Divertimento for Strings written at the outbreak of the Second World War.There were the pungent rhythms and folk melodies of the Allegro non troppo followed by the atmospheric Adagio with its whispered sounds evoking emptiness and spaciousness.There was a dynamic rhythmic drive to the Allegro assai full of complex Hungarian folk rhythms and even a pizzicato episode that took us to the excitement of the ending.Expertly conducted by Luca Ballabio and some very fine solo playing from the first violin of Leonardo Spinedi and the cello of Angelo Santisi. Luca took a lyrical approach to the score […] which can give it more of an overall architectural shape and direction.”

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